Jane Schoenbrun on her new film "Teenage Sex and Death at Camp Miasma": post-transition joy, 80s horror, and reclaiming the trans monster.
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Atcha Atcha highlights the vibrant African dance scene and its fragile cultural roots, showcasing movement, identity, and the power of local expression.
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Isabelle Tollenaere's Paris Paris balances hardship and inhumanness with lightheartedness, humour, and playfulness
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Nader Saeivar's Hijamat explores how everybody, of all generations or ethnicities, builds walls around themselves — made of different materials, but all really tall
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Jan-Eric Mack's A Happy Family, starring co-writer Anna Schinz, is the first Swiss film ever to compete for the Crystal Globe at Karlovy Vary
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Miroslav Terzić's 3 Weeks After, winner of the Europa Cinemas Label at Karlovy Vary Film Festival 2026: "It's not just about peer violence, but about a violent society, and we are all in it."
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Tonia Mishiali's The Lion at My Back, winner of the Ecumenical Jury Grand Prize at Karlovy Vary 2026, is the second chapter of her trilogy on women living on the sidelines
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Ivan Ostrochovský's Only Beautiful Things to Look At tackles forced sterilisation through magnificent visuals: "If the film visually goes against the topic, maybe it is scarier."
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Directors Kristina Grozeva and Petar Valchanov on Black Money for White Nights: "Corruption is at the bottom of everything, but not just that of the outer life, also the corruption of the inner life"
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In The Guest, where a family reunion is disrupted by a mentally unstable mother played by Trine Dyrholm, Mads Mengel pays close attention to his characters' conflicted feelings
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"All Buffy the Vampire Slayer characters were a sort of superheroes for the audience"
The post David Boreanaz, interview with the actor guest to Italian Global Series Festival appeared first on Fred F...
Past the Hill of Napoleon’s Hat director Arnas Balčiūnas at Future Frams 2026. On generational trauma, silence within families, and finding an authentic cinematic voice.
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Half-moon director Hae-Sup Sin at Future Frames 2026. A short film about adoption, cultural identity and two mothers discovering that love can be shared rather than divided.
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Nobody Barks director Júlia Coldwell Serra at Future Frames 2026. A dark comedy about guilt, family bonds and the comforting stories people invent to avoid painful truths.
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Sister of Mine director André Vaara at Future Frames 2026. A quiet short story about siblings, identity, and childhood perception.
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