In 2003, Brisbane artist Richard Bell lambasted the white anthropologists, art historians, dealers and curators who presumed to judge Aboriginal art. Here he discusses Bell’s Theorem (Aboriginal Art: ...
When Judi Muller retired with a good pension, she decided to sell low budget Indigenous art as a personal act of reconciliation. Mark Chapman tailored his art supplies business to suit the desert cond...
The world of Aboriginal art is like a giant hive that attracts all kinds of people, who interact in diverse ways with the artists. In ‘Meet the Matrix’, we meet three committed collaborators: Dallas G...
Since the 1960s, the Yolngu artists of Australia’s tropical north have wielded art and culture to win legal and political rights. They’ve been abetted in this quest by white people embedded in the com...
Three Yolngu artists take us to the site of a massacre of their people in North East Arnhem Land in 1911 and beyond, to the powerful art and heart of Yolngu culture today. The thriving Buku-Larrnggay ...
Contemporary Aboriginal art is a powerful part of Aboriginal life and culture. But behind the artists lies a network of Western managers, dealers, critics, curators and collaborators. Heart of Artness...