The Illuminator: Art, Conspiracy and Madness

Mark Lombardi stands on the edge of international stardom. His intricate and controversial artworks have drawn the attention of some of New York’s most prestigious institutions – as well as shedding light on some of the world’s most corrupt people and institutions. 

Those closest to him are both thrilled by his success and worried for his safety. Mark, who previously brushed off his friends’ concerns, seems increasingly troubled. He’s working more intensely than ever, but behaving erratically. He’s fearful of surveillance. 

Then, in March 2000, Mark decides to put his entire life’s work under the careful charge of the Pierogi gallery. It will be one of the last decisions he ever makes.
 
This is episode five of The Illuminator: Art, Conspiracy, and Madness, a new series from Brazen, hosted by Ako Mitchell. For early access to new episodes, ad-free listening, and more, subscribe to Brazen+ at brazen.fm/plus.
To see Lombardi’s expansive BCCI drawing in full, visit brazen.fm/illuminator.
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Episode 5: Black Bird

Mark Lombardi, an up-and-coming conceptual artist, had everything to live for. He was finally gaining attention for his elegant, intricate diagrams uncovering shadowy entities behind global money-laundering. It was an unusual case in the art world, a late bloomer who developed his style after 40, now experiencing the rapid ascent of a younger artist. So why was the 48-year-old found dead, and his death ruled a suicide? 
It could be seen as the ultimate conceptual art, an afterlife laugh at those who doubted him. He did, after all, carry business cards eerily portending the future, with the tagline "death defying acts of art and conspiracy." Or was he ultimately overwhelmed by the subject of his work: the money trails connecting some of the most powerful and corrupt people on earth? His drawings traced hot money, from Cold War funding to the heroin trade. But his most dogged scrutiny fell on the Bank of Credit and Commerce International, which he called the "Bank of Crooks and Criminals." It began as a small Pakistani merchant bank in 1972 but evolved into a global money laundry, bankrolling fraudsters, smugglers, and corrupt foreign officials – as well as CIA operations abroad. It was shut down by regulators in 1991. Since his death, Lombardi's masterwork on the rogue bank has been held at the Whitney Museum of American Art. Could it be responsible for his demise? The answer can only be found within Lombardi himself.
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